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44 Riley, 232. 45 Fletcher and Rossing, 319. 46 Hans Johannson, Violin Making , www.centrum.is/hansi/modal%20analysis.html , accessed August 24, 2010. 47 Andrew W. Brown, “An Acoustical Study of Flat- and Round-Backed Double Basses,” in Proceedings of SMAC 03 , ed. Roberto Bresin, vol. 1, 2 nd ed. (Stockholm, Sweden, 2003), 40. http://www.oberlinacoustics.net/articles/art20_andrew%20brown.pdf, accessed June 9, 2011. 48 Le Festes de Thalie . 49 J. S. Bach, Suite for Unaccompanied Viola in C Minor Arranged from the Manuscripts of Lute Suite BWV 995 and Cello Suite No. 5 , ed. Donald Maurice and Andrew Filmer (London: COMUS Edition, forthcoming). 50 Interview with Robert Oliver, http://vimeo.com/26409862 . 51 Boyd, Brandenburg Concertos , 22. Bibliography Bach, J. S. Suite for Unaccompanied Viola in C Minor Arranged from the Manuscripts of Lute Suite BWV 995 and Cello Suite No. 5 . Edited by Donald Maurice and Andrew Filmer . London: COMUS Edition, forthcoming. Boyd, Malcolm. Bach . London: J. M. Dent and Sons, 1983. ———. The Brandenburg Concertos . New York: Cambridge University Press, 1993. Butler, Gregory G. “The Question of Genre in J. S. Bach’s Fourth Brandenburg Concerto.” In The Music of J. S. Bach: Analysis and Interpretation , edited by David Schulenberg, 9–32. Bach Perspectives 4 . Lincoln, NE: University of Nebraska Press, 1999. Butt, John. Bach Interpretation: Articulation Marks in Primary Sources of J. S. Bach. Cambridge: Cambridge University Press, 1990. Brown, Andrew W. “An Acoustical Study of Flat- and Round-Backed Double Basses.” Proceedings of the Stockholm Music Acoustics Conference , August 6–9, 2003, Stockholm, Sweden. Davidson, Archibald T. Bach and Handel: The Consummation of the Baroque in Music. New York: Da Capo Press, 1986.

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