JAVS Summer 2011

24 Riley, 72. 25 Ibid., 78–79. 26 Boyd, Brandenburg Concertos , 35. 27 Ibid., 4. 28 Marissen, 55–62. 29 Boyd, Brandenburg Concertos , 5. 30 Ibid., 14. 31 Carl Philipp Emanuel Bach to Johann Forkel, quoted in Riley, 111. 32 As cited and discussed in Marissen, 129–33. 33 Riley, 113. 34 John A. Meyer, “The Idea of Conflict in the Concerto,” Studies in Music 8 (1974): 38. 35 Riley, 71. 36 Marissen, 54. 37 Ibid. 38 Hans Vogt, Johann Sebastian Bach’s Chamber Music: Background, Analyses, Individual Works , ed. Reinhard G. Pauly, trans. Kenn Johnson (Portland, OR: Amadeus Press, 1988), 182. 39 Donald Maurice, “The Art of Vocal Fingering in String Playing,” American String Teacher 56, no. 3 (August 2006): 27–31. 40 Grove Music Online , s.v. “Scordatura,” by Richard Partridge, http://www.oxfordmusiconline.com, accessed May 18, 2010. See also Maurice, “Art of Vocal Fingering.” 41 Le Festes de Thalie association website, http://www.festesdethalie.org/BAROC/vdg_e.html, accessed June 9, 2011. 42 Grove Music Online , s.v. “Viol,” by Ian Woodfield and Lucy Robinson, http://www.oxfordmusiconline.com, accessed June 9, 2011. 43 Neville H. Fletcher and Thomas D. Rossing, The Physics of Musical Instruments (New York: Springer, 1999), 318.

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