JAVS Summer 2011

Donington, Robert. “The Choice of Instruments in Baroque Music.” Early Music 1, no. 3 (July 1973): 131–38. Dreyfus, Laurence. Bach’s Continuo Group: Players and Practices in His Vocal Works. Cambridge, MA: Harvard University Press, 1987. Fabian, Dorottya. Bach Performance Practice, 1945–1975: A Comprehensive Review of Sound Recordings and Literature. Aldershot, England: Ashgate, 2003. Filmer, Andrew. “Performers’ Editions and Additions: A Case Study in Decoding Intent in Early 18 th -Century Musical Handwriting.” Lecture, New Historians Postgraduate Conference , Victoria University of Wellington, Wellington, NZ, August 30–31, 2010. Fletcher, Neville H., and Thomas D. Rossing. The Physics of Musical Instruments . New York: Springer, 1999. Marissen, Michael. The Social and Religious Designs of J. S. Bach’s Brandenburg Concertos. Princeton, NJ: Princeton University Press, 1995. Maurice, Donald. “The Art of Vocal Fingering in String Playing.” American String Teacher 56, no. 3 (August 2006): 27–31. Meyer, John A. “The Idea of Conflict in the Concerto.” Studies in Music 8 (1974): 38–52. Palisca, Claude V. Baroque Music . 3rd ed. Englewood Cliffs, NJ: Prentice-Hall, 1991. Riley, Maurice. The History of the Viola. 2nd ed. Ann Arbor, MI: Braun-Brumfield, 1993. Terry, Charles Sanford. Bach’s Orchestra. London: Oxford University Press, 1932. Vogt, Hans. Johann Sebastian Bach’s Chamber Music: Background, Analyses, Individual Works . Edited by Reinhard G. Pauly, translated by Kenn Johnson. Portland, OR: Amadeus Press, 1988. Zeyringer, Franz. “The Problem of Viola Size.” Journal of the Violin Society of America 5, no. 4 (1979): 18–36. Website References Johannson, Hans. Violin Making. www.centrum.is/hansi/modal%20analysis.html , accessed August 24, 2010. Pickett, Philip. “J. S. Bach: The Brandenburg Concertos: A New Interpretation.” www. recorderhomepage.net/brandenburgs.html , accessed August 24, 2010.

V OLUME 27 S UMMER 2011 O NLINE I SSUE 43

Made with FlippingBook Digital Publishing Software