JAVS Spring 2013

word to Harold en Italie , by Hector Berlioz, vol. 17 of Hector Berlioz: New Edition of the Complete Works (Kassel: Bärenreiter, 2001), x. 8 Maiko Kawabata, “The Concerto that Wasn’t: Paganini, urhan and Harold in Italy ,” Nineteenth Century Music Review 1 (June 2004): 94. 9 Hector Berlioz, Berlioz’s Orchestration Treatise , trans. Hugh Macdonald (Cambridge: Cambridge university Press, 2002), 35. 11 Hector Berlioz, Harold en Italie , ed. Paul Banks and Hugh Macdonald, vol. 17 of Hector Berlioz: New Edition of the Complete Works (Kassel: Bärenreiter, 2001), 241. 12 Lynda MacGregor, “Müller,” in The New Grove Dictionary of Music and Musicians , ed. Stanley Sadie and John Tyrrell, 2nd ed. (New york: Macmillan, 2001), 17:371. 10 Kawabata, 94.

23 Hugh Macdonald, foreword to Harold en Italie , by Hector Berlioz, piano reduction (Kassel: Bärenreiter, 2001), iii.

24 Beginning in measure 73 of the first movement.

25 Berlioz, Memoirs , 216.

26 Hector Berlioz, Harold en Italie , piano reduction by Hugh Macdonald (Kassel: Bärenreiter, 2001), viola part, 2–3.

27 Ibid., 2.

28 Liner notes for David Aaron Carpenter (viola), with the Helsinki Philharmonic Orchestra, con ducted by Vladimir Ashkenazy, Overture to Béatrice et Bénédict , op. 27 and Harold in Italy , op. 16, by Hector Berlioz and Sonata per la Gran Viola e Orchestra , by Nicolò Paganini, Ondine ODE 1188-2, 2011, compact disc.

29 Kawabata, 67–68.

13 Berlioz, Memoirs , 215.

30 Berlioz, Memoirs , 216.

14 Kawabata, 97.

31 Ibid.

15 Maurice W. Riley, The History of the Viola (Ann Arbor: Braun-Brumfield, 1980), 204.

Amanda Wilton is currently completing a Doctor of Musical Arts degree in viola performance at the University of Houston’s Moores School of Music with Wayne Brooks, Principal Violist of the Houston Symphony. In her secondary area of music history, she has researched several topics under the guidance of Dr. Paul Bertagnolli. Amanda holds degrees from the University of Missouri-St. Louis, the University of Maryland, and the Escola Superior de Música de Catalunya in Barcelona, Spain, where she studied with the Casals Quartet as a Fulbright Researcher.

16 Kawabata, 95.

17 Quoted in Kawabata, 95.

18 Quoted in Kawabata, 95. Also quoted in Riley, 205.

19 Kawabata, 68.

20 Ibid., 94.

21 Ibid., 67.

22 Quoted in Banks and Macdonald, x.

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