JAVS Spring 2013

MacGregor, Lynda. “Müller.” In The New Grove Dictionary of Music and Musicians , edited by Stanley Sadie and John Tyrrell, 2nd ed., 17:371–72. New york: Macmillan, 2001. Riley, Maurice W. The History of the Viola. Ann Arbor: Braun-Brumfield, 1980. Tovey, Donald Francis. “Berlioz: Harold in Italy , Symphony with Viola Obbligato, op. 16.” In Essays in Musical Analysis, volume 4, 74–82. London: Oxford university Press, 1948. Walton, Benjamin. “urhan, Chrétien.” In The New Grove Dictionary of Music and Musicians , edited by Stanley Sadie and John Tyrrell, 2nd ed., 26:155. New york: Macmillan, 2001. Notes 1 Hector Berlioz, The Memoirs of Hector Berlioz , trans. David Cairns (New york: Knopf, 2002), 216. 4 “L’exécutant doit être place sur l’avant-scène, près du public et isolé de l’orchestre.” Hector Berlioz, Symphonie fantastique and Harold in Italy in Full Score , ed. Charles Malherbe and Felix Weingartner (New york: Dover, 1984), 151. 5 Sam Bergman, “Harold in the Balcony,” Inside the Classics , Minnesota Orchestra Blog , posted November 28, 2008, http://insidetheclassics.myminnesotaorchestra.org/2 008/11/harold-in-the-balcony-2/ (accessed December 30, 2012). 6 Avishai Chameides and Tomasz Kamieniak, “Liszt/Berlioz Harold in Italy 1st Movt. part 1 (Harold in the Mountains),” online video, http://www.youtube.com/watch?v=DsOl6nCkBhk (accessed December 30, 2012). 7 Quoted in Paul Banks and Hugh Macdonald, fore 2 Ibid. 3 Ibid.

Sources

Berlioz, Hector. Berlioz’s Orchestration Treatise . Translated and with commentary by Hugh Macdonald. Cambridge: Cambridge university Press, 2002. ———. Harold en Italie . Edited by Paul Banks and

Hugh Macdonald. Vol. 17 of Hector Berlioz: New Edition of the Complete Works . Kassel: Bärenreiter, 2001.

———. Harold en Italie . Piano reduction by Hugh Macdonald. Kassel: Bärenreiter, 2001.

———. The Memoirs of Hector Berlioz. Translated and edited by David Cairns. New york: Knopf, 2002. Berlioz, Hector, and Franz Liszt. Harold in Italy: For Viola and Piano. Ann Arbor: university Music Press, 1959. Bonds, Mark Evan. “Sinfonia Anti-Eroica: Berlioz’s Harold en Italie and the Anxiety of Beethoven’s Influence.” Journal of Musicology 10, no. 4 (Autumn 1992): 417–63. Cairns, David. Servitude and Greatness . Vol. 2 of Berlioz . Berkeley: university of California Press, 1999. Carpenter, David Aaron (viola), with the Helsinki Philharmonic Orchestra, conducted by Vladimir Ashkenazy. Overture to Béatrice et Bénédict , op. 27 and Harold in Italy , op. 16, by Hector Berlioz and Sonata per la Gran Viola e Orchestra , by Nicolò Paganini. Ondine ODE 1188-2, 2011, compact disc.

Kawabata, Maiko. “The Concerto that Wasn’t:

Paganini, urhan and Harold in Italy .” Nineteenth-Century Music Review 1 (June 2004): 67–114.

Macdonald, Hugh. Berlioz. London: J. M. Dent & Sons, 1982.

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