JAVS Fall 2012

35 (2006): 94. The expression “spiritual emigra tion” occurs in a document in which Hindemith asked the authorities about his position on various matters. See Claudia Maurer Zenck, “Zwischen Boykott und Anpassung an den Charakter der Zeit. Über die Schierigkeiten eines deutschen Komponisten mit dem Dritten Reich,” Hindemith Jahrbuch 9 (1980): 65–129 and Albrecht Dümling and Peter Grith, eds., Entartete Musik: Eine kom mentierte Rekonstruktion (Düsseldorf: Entartete Musik, 1988). 2 Paul Hindemith, Verzeichnis aller fertigen Kompositionen, 1913–1938 , 117. During his life Hindemith made five main work lists: Verzeichnis aller fertigen Kompositionen, 1913–1938 ; the hand written list from 1938; Paul Hindemith Kompositionen, 1939–1954 ; Paul Hindemith Kompositionen von 1955 an; and Zusammenfassung aller Werkverzeichnisse, Paul Hindemith Verzeichnis (aller Kompositionen von 1914 an) . Date and place of completion, first performance, and publication

of each work are included. These lists have been essential in establishing certain details, especially concerning unpublished and lost compositions. Schott also published a catalogue in 2002, which gives an almost complete list of what is known of Hindemith’s compositional and literary output. These lists are all found in the Hindemith Institute, Frankfurt am Main. 3 Hans Kohlhase, introduction to Bratschenkonzerte, by Paul Hindemith, Sämtliche Werke , ed. Kurt von Fischer and Ludwig Finscher, Band III: Solokonzerte , Part 4: Bratschenkonzerte , ed. Hans Kohlhase (Mainz: Schott, 1997), X.

4 Hindemith, Verzeichnis aller fertigen Kompositionen, 1913–1938 , 119.

5 Hindemith’s Photo Album from 1935 with the exact dates and places they visited on their walking tour, including photographs and cards from Brenden in September (Hindemith Institute, Frankfurt am Main).

6 Hindemith, Verzeichnis aller fertigen Kompositionen, 1913–1938 , 120.

7 Hans Kohlhase, “Paul Hindemiths Bratschenkonzert ‘Der Schwanendreher,’” in 2 . Viola Symposium 1990: Dokumentation , ed. Rolf Fritsch (Trossingen, Germany: Hohner-Musikverl, 1991). 8 Hindemith, Photo Album from 1935 . The card was dated August 25 and stamped on August 26 (Hindemith Institute, Frankfurt am Main). 9 Kohlhase, introduction to Bratschenkonzerte , X. All translations from Kohlhase are my own, although I was assisted by Jonas Linder in many instances.

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10 Ibid., XI.

11 Ibid., XIX.

12 Ibid., XI.

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