JAVS Winter 1987
player, ever sat in an orchestra.
states objective simply as "helpingstudents develop into healthy individuals who are capable of functioning in a creative way." Perhaps his greatest gift to me in addition to offering sound instrumental training is sharing his deep respect for the underlying nature of things and his sense of humor expressing, as poet Stephen Levine calls it, "that sense of the absurd which honors the miracle of even being here to do work together." his
It was from his father that Fred Riddle was to learn his won formidable brand of self -discipline and professionalism that he is famous foro His father was a band sargeant, and horn player in the marines band stationed at Chatham in Kent. This is where Fred grew up and learnt the violin at an early age from a local teacher. By the time he entered the Royal College of Music at the age of eighteen he had learned and played all the major violin concertos. His teacher at college was Maurice Sons, himself a pupil of Henri Vieuxtemps. However, Fred's conversion to the viola was caused through the need to fill in the viola part in an ensemble. With his strong violin technique he f ound himself a cut above most other viola players around and by the age of twenty had joined the London Symphony on the 4th chair. The conductor was Hamilton Harty on whom the young Fred Riddle must have made his mark, for, when the reigning principal violist left, Fred stepped into the jobo Fred's no. 2 partner was the old viola veteran, Albert Hobday, well known as Lionel Tertis' rival during the early years of the century. Variety and adaptability have always been the hallmark of the English music profession and before long, Fred was in volved in playing light music with such groups as the Gershom Parkingham Quintet and forming a quartet with violinist Harry Blech, later founder of the London Mozart Players, The Blech Quartet had echoes in its formation of the Griller Quartet in that all the members lived together in the early years of rehearsing and were coached by a distinguished musician, in the case of the Blech Quartet by Humphrey Proctor Greg. This life style 19
a graduate 01 Bryn
Marcia Ferritto, Mawr College,
is present/y on the [aculty at the Cleveland Institute 01 Music and at Baldwin-Wallace Conservatory. She is active as soloist and recitalist and is principal violist 01 the Ohio Chamber Orchestra .•
A REAL PROFESSIONAL
by
MICHAEL PONDER
April this year saw the 75th birthday of Frederick Riddle, Britain's most distinguished living viola player and one of the most illustrious principal viola player in the world, having held that position in the London Symphony, London Philharmonic, and Royal Philharmonic Orchestras during the course of his long career. It wouldbe a fair assumption to say what Lionel Tertis did for the viola--and indeed the solo viola--Frederick Riddle undoubtedly did for the orchestra viola. All those stories about viola solos and jokes about viola players are immediately dashed to the ground with the mention of Fred Riddle's name, for hardly a more immaculate professional musician, and indeed world class viola
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