JAVS Summer 2018

measure cadenza in the second movement, covering mm. 79–82 (tutti resolution), is not marked as a cadenza nor is there an “orchestra re-entry after cadenza” track on the accompany recording. In the third movement, Klos plays a cadenza/lead-in at m. 37 on the accompanying recording that is not printed in the edition.

Details : Mvmt. I: 41 measures

Mvmt. II: 4 measures

Mvmt. III: m. 165: 3-note embellishment

Recordings :

Klos, Wolfgang : Mvmts. I, II (played an octave lower than printed), and III Staneva, Elissaveta : Mvmt. I (modi ed at the end) and Mvmt. II (preceded by an extra note)

Composer : Movements :

Levin, Robert D. (1947–)

1 (2 versions), 2 (2 versions), and 3 (3 versions of 2 lead-ins)

Editions : Munich: G. Henle Verlag, 2003, HN 758, ISBN: 9790201807584. (Edited by Norbert Gertsch and Annemarie Weibezahn. Piano reduction by Johannes Umbreit. Fingerings and bowings by Jürgen Weber.) Note : Robert D. Levin is an American pianist, musicologist, and composer who has held teaching posts at SUNY Purchase, the Hochschule für Musik Freiburg, and Harvard University. He has specialized in music of the Classical period, including reconstructions or completions of works by W. A. Mozart and J. S. Bach. e two versions of the cadenzas for mvmts. 1 and 2 are constructed and annotated so that portions from each cadenza can be combined in multiple ways (almost like a “Choose Your Own Adventure” book). is edition includes the left-hand pizzicato in mvmt. III (notated by circles) in mm. 78–83.

Details : Version I (Cadenza A) Mvmt. I: 32 measures

Mvmt. II: 19 measures

Journal of the American Viola Society / Vol. 34, 2018 Online Issue

22