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8 Portnoff, Collice. “Oral History of Louise Lincoln Kerr.” Transcript. Department of Archives and Manu scripts, University Libraries, Arizona State University; Tempe, AZ. 9 ASUConcert Program featuring Louise Kerr’s Enchant ed Mesa and accompanying program notes, April 30, 1952, published with permissions from Arizona States University, University Archives. 10 ASU Concert Program featuring Louise Kerr’s premiere of Suite for Orchestra March 14, 1952, published with permissions from Arizona States University, University Archives. Collections Edwin A. Fleischer Collection of scores at the Free Li brary of Philadelphia, Kile Smith. Louise L. Kerr Collection MSS-90 at Arizona State Uni versity, Department of Archives and manuscripts, Haydn Library, Tempe, Arizona. Robert Spindler, curator. Dissertations Broe, Carolyn Waters. “The String Literature of Louise Lincoln Kerr: An Edition of Her Viola Music and Analy sis of her Violin Concerto.” DMA diss., Arizona State University, 2001. Kohnen, Daniela. “Rebecca Clarke. Weg einer Komponistin Anfang des 20. Jahrhunderts.” Hausarbeit, Hochschule für Musik Detmold, 1994. Palumbo, Michael A. “The Viola: Its Foundation, Role, and Literature, Including An Analysis of the “Twelve Caprices” of Lillian Fuchs .” DMA diss., Ball State University, 1981. Books Battersby, Christine. Gender and Genius: Towards a Feminist Aesthetics. Indianapolis: Indiana University Press, 1989. Bowers, Jane and Judith Tick. Women Making Music: The Western Art Tradition, 1150-1950 . Chicago: University of Illinois Press, 1987. Primrose International Viola Archives at Brigham Young University, Patricia McCarty.

Briscoe, James R. Historical Anthology of Music by Women. Indianapolis: Indiana University Press, 1987.

Broe, Carolyn Waters. Fifty Famous Composers for Kids of All Ages . Scottsdale: Inkwell Books, LLC, 2021.

Cohen, Aaron I. International Encyclopedia of Women Composers . New York: Books & Music, 1981.

Curtis, Liane. Rebecca Clarke Reader. Indianapolis: Indiana University Press, 2004.

Ebel, Otto. Women Composers: A Biographical Handbook of Women’s Work in Music . Brooklyn, New York: 1902.

Glickman, Sylvia and Schleifer, Martha Furman. Women Composers: Music Through the Ages: Composers Born Before 1599 Vol. 1. New York: G.K. Hall, 1996. ———————————————————. From Convent to Concert Hall. Composers Born 1700-1799 Vol 2 . New York: G.K. Hall, 1996. ———————————————————. American Women Composers, Keyboard Music 1866-1910 Vol 3 . New York: G.K. Hall, 1996. Jezic, Diane Peacock. Women Composers: The Lost Tradition Found. Forward by Elizabeth Wood. New York: The Feminist Press at the City University of New York, 1988. Marshall, Kimberly. Rediscovering the Muses: Women’s Musical Traditions. Boston: Northeastern University Press, 1993. Neuls-Bates, Carol, ed. Women in Music: An Anthology of Source Readings from the Middle Ages to the Present. Revised ed. Boston: Northeastern University Press, 1996. Sadie, Julie Anne and Rhian Samuel. The Norton/Grove Dictionary of Women Composers . London: W.W. Norton and Company, 1995. Lutyens, Elisabeth. A Goldfish Bowl . London: Cassell, 1972.

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Journal of the American Viola Society / Vol. 39, No. 1, Spring 2023