JAVS Spring 2014

22 Peter Burt, The Music of Tōru Takemitsu (Cambridge: Cambridge University Press, 2001), 165.

Kapuscinski, Jaroslaw and François Rose. “Orchestration in Gagaku Music.” Stanford University Center for Computer Research in Music and Acoustics, October 2010. https://ccrma.stanford.edu/groups/gagaku/. Koozin, Timothy. “Toru Takemitsu and the Unity of Opposites.” College Music Symposium 30, no. 1 (Spring 1990): 34–44. http://www.jstor.org/stable/40373998.

23 Timothy Koozin, “Toru Takemitsu and the Unity of Opposites,” College Music Symposium 30, no. 1 (Spring 1990): 40, http://www.jstor.org/sta ble/40373998.

24 Ibid.

25 Tokyo National Museum.

Sebestik, Miroslav. Listen. Chicago: Facets Multi-Media, 2004. DVD.

26 Wilson, “Role of Texture,” 20.

27 Takemitsu, Confronting Silence: Selected Writings , 51.

Takemitsu, Tōru. Liner notes to A Bird came down the Walk: Original Works for Viola and Piano , by Nobuko Imai (viola) and Roland Pöntinen (piano). BIS-CD-829, 1996, compact disc. ———. “Mirrors.” Translated by Sumi Adachi and Roger Reynolds. Perspectives of New Music 30, no. 1 (Winter 1992): 36–80.

28 Koozin, “Unity of Opposites,” 36.

29 Takemitsu, Confronting Silence: Selected Writings , 97.

30 Ibid., 84.

31 Takemitsu, “Mirrors,” 53.

———. Confronting Silence: Selected Writings . Lanham, MD: Fallen Leaf Press, 1995.

32 Ibid., 54.

33 Takemitsu, Confronting Silence: Selected Writings , 88.

Wilson, Dana Richard. “The Role of Texture in Selected Works of Toru Takemitsu.” PhD diss., University of Rochester, 1982.

34 Miroslav Sebestik, Listen (Chicago: Facets Multi Media, 2004), DVD.

Bibliography

Burt, Peter. The Music of Tōru Takemitsu. Cambridge: Cambridge University Press, 2001.

Cage, John. Silence: Lectures and Writings by John Cage . Middletown, CT: Wesleyan University Press, 1961.

J OURNAL OF THE AMERICAN VIOLA SOCIETy 38