JAVS Spring 2007

eighth note, slurred figure. It is important to remember that each time a new phrase begins, it must be approached in the same way as the opening of the variation: in piano, sul tasto, and with a phan tom-like character. This brings up the discussion of audition performance dynamics. The piano marking of this varia tion must be given careful consid eration, both because this is a solo performance and because of the venue in which it wi ll be per formed. In an orchestral section, a movement like this variation would be played with an exnemely light bow weight over the finger board, because the combined

dynamic of eleven (twelve, if you are lucky) violists will then create the right atmosphere. In an audi tion, the dynamic must be raised slightly so the solo violist can proj ect his/her sound, displaying an understanding of the srroke and the way it relates to a particular sryle. For example, in the fifth variation the spiccato stroke must be played in piano, yet loud enough to project clear articula tion. The eighth variation must also be played loud enough so that all of the intervals are clearly heard as well as the C string half-steps at the end of the excerpt. Brahms's love of the viola is con firmed as he wrote two sonatas dedicated to our instrument at the

end of his life, even if they were written for the clarinet first. The variations, as well as the two sonatas and the four symphonies, highlight the viola as a lyrical, melodic, and expressive instru ment, crucial to the musical impact of these works. Enjoy working on the excerpts and listening ro these variations; I hope that you will always discover new insights and meanings by studying and performing the music of Johannes Brahms. And . ..good luck at your next audition! -Mark jackobs is 4th chair oftht Ckvtland Orchestra and teaches at tht Clrotland Institute ofMusic.

We create futures. • Offering instruction in viola and chamber music at high school through post-master's levels • NCSA program emphasizes chamber music, orchestra, and rigorous career preparation

• Array of merit scholarships available including Kenan Excellence "full-ride" awards, as well as assistantships in each instrument • String faculty includes Joe Genualdi, Kevin Lawrence, Sarah Johnson, violin; Sheila Browne, viola; Brooks Whitehouse, cello thomas clark {dean) on campusauditions: Jan. 12,2007* Feb. 2,2007* Feb.23,2007* Apr. 13, 2007 May 11, 2007 'Merit scholarship consideration

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