JAVS Spring 2006
measures 17 _", most violists wouldn't characterize it as user friendly, although again the Brescian model assists with com fort facto rs. T hi s bench copy was bu il t to all ow the original and the Alf to be interchangeable, a tactic that assists in the preservation of the original. For color photos of the specifi c instruments discussed, visit http://www.alfs rudios.corn /vio las. html; all three are likely to be
A founder ttnd current Board mern ber ofthe Violin Society ofAmerictt, J.:::ric Chapman owns J::.'ric c:napman Violins, Inc. in Cnicago and serves as Vice President of the Chicago Schoof ofViofin Making. He has been cornrnendedfor distinguished sert;ice by both the AVS and the VS'A.
narrow the width of the middle bout. T he rib then quickly fla res out to support a wider middle bout, which in turn encourages depth on the C string. The third viola (#9672), a bench copy of a 1580 Gasparo da Salo, is the joint creation of Joseph Curtin and Gregg Alf. T he ori.gi nal viola had belonged to Nathan Gordon, an NBC violist and later Principal of the Derroit Symphony; many readers have perhaps seen the instrument on TV, as it is now owned by the New York Philharmonic and played by Cynthia Phelps. T he bench copy, which duplicates the original as closely as poss ible, has only the single line of pu rfl ing and no inlay on the back. As it
in the luthi er's exhibit at the Montreal Congress as well.
Al f 's wo rk presents many options fo r players. The maker is always glad to collaborate with players, and share the special secrets that can make your next viola your dream insrrumen t. H
RBP MUSIC PUBLISHERS
MUSIC AT RUTGERS Mason Gross School of the Arts STRING FACULTY Arnold Steinhardt, violin, chair of strings Matthew Reichert, viol in
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Audition/application information at www.masongross.rutgers.edu
'"'"""'"""'-"'"[W.."""' J Mason Gross RLITGERS School of the Arts
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