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20 William Walton, Concerto for Viola and Orchestra , 159. 21 Hepokoski and Darcy, Elements of Sonata Theory , 131 135. 22 While I am not aware of an “industrial topic,” the music in this section, with its driving eighth-note accompaniment, discordant chords, and acceleration is strongly reminiscent of Arthur Honegger’s Pacific 231, which was written in 1923. 23 Heinrich Christoph Koch, Introductory Essay on Composition. , trans. Nancy Kovale Baker (New Haven: Yale University Press, 1983), 240-244. 24 Dickensheets, “The Topical Vocabulary of the Nineteenth Century.” 106. 25 Hepokoski and Darcy, Elements of Sonata Theory , 231, 233-234. 26 Percy Goetschius. Lessons in Music Form: A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition, (Boston: Oliver Ditson, 1904, Project Gutenberg, 2008), chap. 17, 105. 27 Ibid. 28 Atar Arad, “Walton as Scapino,” The Strad , 1989. 29 Sergey Prokofie , Concerto No. 1, Op. 19, Violin and Piano , ed. F. H. Schneider and Joseph Szigeti (London: Boosey & Hawkes, 1964), 12-16. 30 Kennedy, Portrait of Walton , 52. 31 Hayes, The Selected Letters of WilliamWalton , xi-xiii. Caplin, William. “Topics and Formal Functions.” The Oxford Handbook of Topic Theory , November 6, 2014. https://doi.org/10.1093/ oxfordhb/9780199841578.013.0016. “Christabel Lady Aberconway.” Clan Macnaughton. Accessed June 8, 2021. http://clanmacnaughton.net/docs_ articles/CHRISTABEL%20LADY%20ABERCO NWAY. pdf. Dickensheets, Janice. “The Topical Vocabulary of the Nineteenth Century.” Journal of Musicological Research 31, no. 2–3 (April 1, 2012): 97–137. https://doi.org/10.1080 /01411896.2012.682887. Works Cited Arad, Atar. “Walton as Scapino.” The Strad , 1989.

Goetschius, Percy. Lessons in Music Form: A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition, . Boston: Oliver Ditson/Project Gutenberg, 1904.

Hayes, Malcolm F., ed. The Selected Letters of William Walton . London: Faber & Faber, 2002.

Hepokoski, James A., and Warren Darcy. Elements of Sonata Theory: Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata . Acls Humanities E-Book. New York, NY: Oxford University Press, 2006. https://doi.org/10.1093/acprof:o so/9780195146400.001.0001.

Kennedy, Michael. Portrait of Walton . Oxford: Oxford University Press, 1989.

Koch, Heinrich Christoph. Introductory Essay on Composition. Translated by Nancy Kovale Baker. New Haven: Yale University Press, 1983.

Ouseley, Frederick Arthur Gore. A Treatise on Musical Form and General Composition . Oxford: Clarendon Press, 1875.

Prokofie , Sergey. Concerto No. 1, Op. 19, Violin and Piano . Edited by F. H. Schneider and Joseph Szigeti. London: Boosey & Hawkes, 1964.

Ratner, Leonard G. “Topical Content in Mozart’s Keyboard Sonatas.” Early Music 19, no. 4 (1991): 615–19.

Walton, Susana. WilliamWalton: Behind the Facade . Oxford: Oxford University Press, 1988. Walton, William. Concerto for Viola and Orchestra . Edited by Christopher Wellington. Vol. 12. The William Walton Edition. Oxford: Oxford University Press, 2002.

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Journal of the American Viola Society / Vol. 38, No. 2, Fall 2022