JAVS Fall 2020

Haney, Joel. “The Emergence of a Postwar Musical Outlook: Hindemith’s Hard-Edged Simplicity, 1919– 1922.” PhD diss., Yale University, 2006.

5 Robert Morgan,“Expressionism,” in New Harvard Dictionary of Music , ed. Don M. Randel (Cambridge, MA: The Belknap Press of Harvard University Press, 1986), 295. 6 Gerling, “Connecting Histories,” 94. 7 Ibid, 9. 8 Ibid, 10. 9 Heinrich Strobel, Paul Hindemith: Zeugnis in Bildern (Mainz: Schott, 1961), 8. 10 Joel Haney, “The Emergence of a Postwar Musical Outlook: Hindemith’s Hard-Edged Simplicity, 1919– 1922,” (PhD diss., Yale University, 2006). 11 Ibid, 236. 12 Klara Moricz, “Sensuous Pagans and Righteous Jews: Changing Concepts of Jewish Identity in Ernest Bloch’s Jézabel and Schelomo” Journal of the American Musicological Society 54, no.3 (Fall 2001): 443. 13 Ibid, 440. 14 Joseph Lewinski, “Ernest Bloch: Suite pour alto et orchestra,” Liner notes for Ernest Bloch Helvetia, Suite for viola and orchestra, Suite Hébraïque for viola and orchestra (Orchestre de la Suisse Romande/Shambadal): Cascavelle Records, RSR 6170. 15 Joseph Lewinski and Emanuelle Dijon, Ernest Bloch, Sa vie et sa pensée. Tome II: La consécration américaine (Geneva: Slatkine, 2001), 275. 16 Liane Curtis, ed. A Rebecca Clarke Reader (Waltham, MA: Rebecca Clarke Society, 2005), 151. 17 Cyrilla Barr, Elizabeth Sprague Coolidge: American Patron of Music (New York: Schirmer Books, 1998), 141–142. 18 Curtis, A Rebecca Clarke Reader, 226.

Jones, Bryony Claire. “The Music of Rebecca Clarke (1886–1979).” PhD diss., University of Liverpool, 2004.

Lewinski, Joseph. “Ernest Bloch: Suite pour alto et orchestra .” Liner notes for Ernest Bloch Helvetia, Suite for viola and orchestra, Suite Hébraïque for viola and orchestra (Orchestre de la Suisse Romande/Shambadal): Cascavelle Records, RSR 6170. Morgan, Robert. “Expressionism.” In New Harvard Dictionary of Music, edited by Don M. Randel, 295 . Cambridge, MA: The Belknap Press of Harvard University Press, 1986. Moricz, Klara. “Sensuous Pagans and Righteous Jews: Changing Concepts of Jewish Identity in Ernest Bloch’s Jézabel and Schelomo.” Journal of the American Musicological Society 54, no.3 (Fall 2001): 439–491.

Rickards, Guy. Hindemith, Hartman, Henze. London: Phaedon Press, 1995.

Spinoza, Baruch. Ethica, Ordine Geometrico demonstrata . (1677). Translated by Michael Silverthorne. Cambridge: Cambridge University Press, 2018.

Strobel, Heinrich. Paul Hindemith: Zeugnis in Bildern. Mainz: Schott, 1961.

Notes 1 Nicholas Cook and Anthony Pople, The Cambridge History of Twentieth-Century Music (Cambridge: Cambridge University Press, 2004), 191. 2 Daphne Gerling, “Connecting Histories: Identity and Exoticism in the 1919 Viola Works of Ernest Bloch, Rebecca Clarke, and Paul Hindemith” (DMA diss., Rice University, 2007), 6. 3 Guy Rickards, Hindemith, Hartman, Henze (London: Phaedon Press, 1995), 40. 4 Bryony Claire Jones, “The Music of Rebecca Clarke (1886–1979)” (PhD diss., University of Liverpool, 2004), 306.

36

Journal of the American Viola Society / Vol. 36, No. 2, Fall 2020