JAVS Fall 2008

28 Ibid.

34 Brook, 12.

Violist Andrew Filmer graduated this past spring with a Master of Music degree from the Ernestine M. Raclin School of the Arts at Indiana University South Bend, where he was a scholarship recipient and manager of the Arts Ensemble Library. He served on the strings faculty at Mahidol University in Thailand for two years. His article, "A Bangkok State of Mind" was published in Strings magazine in 2006. His varied interests include jazz and postmodern improvisation, and he remains an active supporter of the Penang State Symphony Orchestra and Chorus in his home town of Penang, Malaysia.

29 Denis Forman, Mozart’s Concerto Form: The First Movements of the Piano Concertos (New York: Da Capo, 1971), 140-2. 30 Hermann Abert, W.A. Mozart , trans. Stewart Spencer (New Haven, Conn.: Yale University Press, 2007), 573. 31 Louis Biancolli, ed., The Mozart Handbook: A Guide to the Man and His Music (Cleveland: World Publishing, 1954), 440.

35 Adélaïde de Place, program notes, trans. Hugh Graham, to Sinfonia Concertante, K. 364; Rondo, K. 373; Concertone, K. 190 , by Wolfgang A. Mozart, Portland Baroque Orchestra, Monica Huggett, direc tor and violin, conductor, with Pavlo Beznosiuk (viola), compact disc, Virgin Classics, 7243 5 45290 2 3, © 1998, 5.

36 Mahling, VIII.

37 Adena Portowitz, “Art and Taste in Mozart's Sonata-Rondo Finales: Two Case Studies,” Journal of Musicology 18, no. 1 (Winter 2001): 148.

32 Würtz.

33 Myers, 6.

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