JAVS Fall 2003

there must be a distinct differ ence between how each genre ofclassical music is performed.

Works Cited Auer, Leopold. Violin Pktying As I Teach It. New York: Dover Publications, 1980. Beyer, Franz. "Karl Friedrich Zeiter-Viola Concerto. " Foreword. Viola Concerto. By Karl Friedrich Zeiter. Zurich : Edition Eulenburg GmbH, (1970): iii-viii . Carse, Adam. The Orchestra in theXVIIIth Century. New York: Broude Brothers Limited, 1969. Cole, Malcohn. "Rondo. " New Grove Dictionary of Music and Musicians. 2nd ed. Vol. 21. (2001): 649-656. Dalton, David. Playing the Vwla. Conversations with WiUiam Primrose. Oxford: Oxford University Press, 1988. Duffm, Ross. "Performance Practice: Que me veux-tu? (What do you wantfrom me?)"1995. 6 Dec. 2002. http://www.rnidischool.cw m .edu/duffin/EMPP I ppq mvt/p 1 .html Mozart, Leopold. A Treatise on the Fundamental Principles ofViolin Pktying. Oxford: Oxford University Press, 1948. Ortenberg, Hans-Gimter. "Zeiter, Karl Friedrich. "New Grove Dictionary ofMusic and Musicians. 2nd ed. Vol. 27, (2001): 781-783. Zeiter, Karl Friedrich. Viola Concerto, ed Franz Beyer. Zurich: Edition Eulenburg, 1970. B

Introducing Zeiter's Viola Concerto

Endnotes 1 His symphonies and a violin concerto are lost (Beyer 4) . 2 Franz Beyer's edition of the original score is used as the primary source for this essay. A piano reduc tion is also available: Zelter, Karl Friedrich. Viola Concerto. ed. Franz Beyer. Adliswil: Edition Kunzelmann, 1998. work followed another in quick succession... so much of the 18th centu ry music is little more than hack-work turned out without m uch thought and given little purpose" (9). 4 Leopold Mozart is often regarded as the founder of "modern" violin tech nique (Duffin). 5 Franz Beyer has also com posed suitable cadenzas for this piece. 6 A-B-A-C-A-D-A-B-A Coda, a form most likely influenced by Wolfgang Amadeus Mozart's early rondos (Cole 653). 3 In fact, Adam Carse claimed that" ...one

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