JAVS Fall 1998

24

Example 5. Development-Themes I, II and III.

arco ,., •·

areo

"' ... > > ::

pizz ,·

1!---

_jrL·

:::::::,.

{Jiu br1 f

•...:: f

Pjmotto esfW.

:

>

t

~

~

'I

' ~ r.: v piuq

rr·

1 _J

J

l

J

1

!LJ~

f L .. •

p

~1

f

~

...It_

I

·r.:.

-r·

>

>

ben marcato

v

Recapitulation. In the recapitulation, themes I, II and III come back with more melodic elaboration and more textural depth (Example 6). This is not an uncommon traditional practice.

Example 6. Theme I in Recapitulation, measures 155-158.

v

v ~

Tempo I

'

v

X

3

·~

'1~

4

I ~

I

I

4· Zl· -6}-'

(Tel(. - ~~~ 11r_ r l' I q~ J crese. -

I

~ -{.&..

/

4)

:::z::. -~ !2

~

f'l

- .

/C-J

~.:,......~

r.r~-- _upr. fcspr. r ]1.L.J. _d-----..._, ., 11 I

~

)lllfl_~

I

..;.~.· ,.j2:' r·

~t· r·

it~. #~·

~~..

~;.

pp

Unlike the solo entrance of the second theme in the exposition, a viola figure accompanies the second theme's return in the recapitulation (Example 7).