JAVS Fall 1992

17

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Adagio cantabile. I~=====

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x. Capriccio

Starting from the string seems to be an aspect of clean bowing technique in such passages especially appropriate in orchestral playing. The following extended section in C-sharp minor is very challenging: This is the longest of the etudes in this opus and requires much practice. Besides being written in the rather awkward key of E Major, other demands are placed on the right hand in the opening and closing sections. A firm stroke starting from the string is appropriate in defining the first two predominant rhythmic motives: Allegro con spirito. n n ~- ~.~., •• ig, t4~"f ~tr~~ ; x. .. t'if P o! ~ 0 " I n ~~~ I~,B=-= ---== _ ~ . P t