JAVS Fall 1992

9

Had Palaschko written here an etude that was entirely chromatic, it would not be so difficult, but he seems to enjoy some unexpected departures with some resultant unusual modulations: ~ irA 'jJ cresc. _ _ - _ _ f:B1,~~ _ - - - - - - f ".--; 1~14:3 3 li#~ *~~~ IV: In tiirkischer Weise This etude is in ABA form. Pure intonation is an obvious challenge and the proper execution of chords in the A section is essential-a good preparation to any solo work by Bach. Its polyphonic complexity makes the etude difficult to play convincingly: Mo~to mOderato.~~· ~ ~ · • ~. ;-,. 1Ii1~f~ ::::: ~==-- ----;:: ==i!!!. = ~. '--.::::: p. .. · · nil 2 .-..1 I .. I ~~.~ L ~ .~~~ B;p ::::::= ~.. ~ · ~ . . P f ~.---.-: ~ ~ >:._____ . ---- ~ ~ V ~ : ~j~~~~,Wi~~ ~.~~ ~ ~ ~ --., ~ -----... il_ -----+-----br---~~---#~ Jm~' ~ · ~;! ~ Bear in mind that these Kilnstler etudes are complicated and fairly long. Feeling completely comfortable with this piece requires extensive practice and effort.