JAVS Fall 1991

ehalf position

16

• treble clef as high as high D

No. 15 Dedication: Jean Cauhape, Premier Prix du Conservatoire (1923), de la Boston Symphonie

Technical Aspects

Possible Approaches

Allegro giusto. ~.=76

-'~~f

.broken octaves; rapid tempo with crescendo/decrescendo

.octaves are most important in practicing, because they give the hand its frame. It is a good practice routine to playa scale with both fingers placed but sounding only one note; first the lower throughout, then the upper. e(see Etude No.4) ·practice the Primrose "60" (see Appendix B)

estring crossings

• (see Etude No.6)

No. 16 Dedication: Rene Cezard, Premier Prix du Conservatoire (1923)

Technical Aspects

Possible Approaches

• sautille with frequent string changes and into the higher posi tions

·(see Etude No.2)

·fifth and sixth positions; treble as high as F

No. 17 Dedication: Suzanne Robin, Premier Prix du Conservatoire (1922)

Technical Aspects

Possible Approaches

Non vivo e molto espressivo. J ou J. = 40

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