JAVS Fall 1991

No.7 Dedication:

12

Robert Boulay, Premier Prix du Conservatoire (1924), du Theatre National de l'Opera et des Concerts Colonne

Technical Aspects

Possible Approaches

Vivo e violentemente. J:138

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• three ... note groups slurred in groups of two with an accent on every other group of two (see Appendix A, #3)

• practice in steps: 1. play without slurs or accents 2. add slurs 3. add accents and slurs

• (see Etude No.1)

• fingered harmonics

Pili lento e espressivo

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• thirty... second note runs in duple and triple

·practice Primrose's "rule of 60" (see Appendix B)

No.8 Dedication:

Francois Broos, Premier Prix du Conservatoire (1924)

Technical Aspects ~ j b\ Ii I~ t tiE&! bLAt!! 0=' ~ I,. • - ~===;l:S:'=======--~ j \/~(Z======---- Possible Approaches l\loderato. _\80 2 ti" ~ l-- r--, r""1 n

• high position double stops

• the bow must move closer to the bridge in the high posi tions in order to produce good tone quality

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• triple stops

• use either broken chords or all three notes played together

Vivo e leggiero. J.=126

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.lively tempo with dotted eighth to sixteenth note rhythm (see Appendix A, #4)

·practice Primrose's "rule of 60" (see Appendix B)