JAVS Fall 1990

12

7. Gigue

The gigue is a rapid, vigorous dance with much leaping and turning. It was introduced from England to the continent during the middle of the 17th century. OriginaJly for a couple, the dance required the trunk to be held stiffly erect, while the heels beat on the floor. ]n the 18th century the music assumed a whirling and twirling rhythm. The giga has a more flowing, less angular style; it makes frequent use of even eighth-notes. A comparison of the gigues of the E-flat Major and C Minor Suites clearly demonstrates the difference between a giga and a gigue.

a. Played the fastest of all the dances

b. The "limping" rhythm is characteristic of the French; the 3rd eigh th note should be emphasized to insure a graceful performance..

c. Take bowings as they come because of speed

Gigo

Gigue

f"1 V ,., y,., y r-.v ,., v~

~-' F-'F-' F- e

E

E

ERE E E R

4 beats

4 beats

common bowings for Giga

.

a-· m

v

Heidi Cas/ternan is current I),' Professor of Viola at the Cleveland Institute of Music. and formerly with the Eastman School of Music. During the summer she teaches and performs at the Aspen Music Festival, the Sarasota /\1 usic Festival, and Eastern Music Festival. A founding trustee of Chamber Music America. Heidi Castleman now serves as all active member of the Clt1A Education Committee, and is editor of the chamber music education newslcucr, FLYING TOGETHER.