JAVS Spring 2010

Greenwood Press, 1989. Dickinson, Peter. “Ernst Krenek at 87.” Tempo , n.s., 161/162 (June–September 1987): 11–12. Keller, Hans. “Strict Serial Technique in Classical Music.” Tempo , n.s., 37 (Autumn 1955): 12–24. Krenek, Ernst. “Is Twelve-tone Technique on the Decline?” Musical Quarterly 39, no. 4 (October 1953): 513–27. ———. Exploring Music . Translated by Margaret Shenfield and Geoffrey Skelton. New York: October House, 1966.

———. Sonata, op. 92, no. 3 . New York: Bomart Music Publications, 1954. ———. Sonatina for Flute and Clarinet, op. 92/2B . Kassel: Bärenreiter, 1942.

Stewart, John L. Ernst Krenek: The Man and His Music . Berkeley, Calif.: University of California Press, 1991. Composer and violist Brett Banducci is currently pursuing his D.M.A. in Composition at the University of Southern California, where he stud ies with Frank Ticheli and is the recipient of the Ellis B. Kohs Composition Fellowship. He has studied with Byron Adams, Tim Labor, and Paulo Chagas, and with Sydney Hodkinson at the Aspen Music Festival and School. Brett has studied viola with Thomas Tatton, Pamela Goldsmith, and Keith Greene. He is currently the composer in-residence of the Creative Kids Education Foundation, a Los Angeles-based private operating foun dation devoted to Internet-based music education for youth. Further information may be found at www.brettbanducci.org and www.creativekidseducationfounda tion.org. He can be reached at brettviola@yahoo.com.

———. Studies in Counterpoint . New York: G. Schirmer, 1940.

———. “America’s Influence on its Émigré Composers.” Translated by Don Harran. Perspectives of New Music 8, no. 2 (Spring–Summer 1970): 112–17. Mager, Don. “Ernst Krenek.” Making Time (November– December 1997): 1–3. Ogdon, Will. “Conversation with Ernst Krenek.” Perspectives of New Music 10, no. 2 (Spring–Summer, 1972): 102–10. Pasler, Jann. “Ernst Krenek in Retrospect.” Perspectives of New Music 24, no. 1 (Autumn–Winter, 1985): 424–32. Perle, George. “Krenek.” Musical Quarterly 77, no. 1 (Spring 1993): 145–53. ———. Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg, and Webern . Berkeley, Calif.: University of California Press, 1963. Preinfalk, Petra. “Ernst Krenek: From the Outset.” Newsletter of the Ernst Krenek Institute 1 (December 2007): 1–43.

———. Five Short Pieces for Strings . Kassel: Bärenreiter, 1974.

———. Horizons Circled: Reflections on My Music . Berkeley, Calif.: University of California Press, 1974.

———. Johannes Ockeghem . New York: Sheed and Ward, 1953.

———. Modal Counterpoint in the Style of the Sixteenth Century . New York: Boosey and Hawkes, 1959. ———. Music Here and Now . Translated by Barthold Fles. New York: W. W. Norton, 1939. ———. Parvula Corona Musicalis, op. 122 . Vienna: Universal Edition, 1993.

———. Sonata for Viola and Piano, op. 117 . Los Angeles: Affiliated Musicians, 1953.

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