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13 For a detailed description, see Sylvia W. Kenney, ed., Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library (New York: Columbia University Press, 1960), 249–51. I am grateful to Paul Cary, Conservatory Librarian at Baldwin Wallace, for facilitating access to the Riemenschneider Bach Institute’s rare materials. 14 Anonymous, review of Altenburg Singakademie concert, Neue Zeitschrift für Musik 63, no. 48 (November 22, 1867): 425. 15 Anonymous, review of Altenburg Singakademie con cert, Neue Zeitschrift für Musik 64, no. 49 (November 27, 1868): 424. 16 Two reviews of Stade’s edition are as follows: (1) Anonymous (“D. G.”), “Arrangements. Für Violoncell mit Begleitung,” Neue Zeitschrift für Musik 61, no. 10 (March 3, 1865): 87; and (2) Yourij von Arnold, “Kammer- und Hausmusik. Für Violoncell mit Piano forte,” Neue Zeitschrift für Musik 61, no. 37 (Septem ber 8, 1865): 319–20. 17 On Stade’s revised edition, see Knobel, “Bach Cello Suites with Piano Accompaniment,” 57–58 and 63–65. 18 Zoltán Szabó, “Problematic Sources, Problematic Transmission: An Outline of the Edition History of the Solo Cello Suites by J. S. Bach” (PhD diss., Sydney Conservatorium of Music, 2016), 238–40. See also Kennaway, “Bach Solo Cello Suites” and Knobel, “Bach Cello Suites with Piano Accompaniment,” 56–63. 19 For a survey of the Cello Suites’ early performance history, see Edward Klorman, J. S. Bach, The Cello Works Cited Anonymous (“D. G.”), “Arrangements. Für Violoncell mit Begleitung.” Neue Zeitschrift für Musik 61, no. 10 (March 3, 1865): 87. Anonymous. Review of Altenburg Singakademie concert. Neue Zeitschrift für Musik 63, no. 48 (November 22, 1867): 425. Anonymous. Review of Altenburg Singakademie concert. Neue Zeitschrift für Musik 64, no. 49 (November 27, 1868): 424. Arnold, Yourij von. “Kammer- und Hausmusik. Für Violoncell mit Pianoforte.” Neue Zeitschrift für Musik 61, no. 37 (September 8, 1865): 319–20. Suites (Cambridge and New York: Cambridge University Press, forthcoming), Chapter 4.

Bynog, David M. “The Viola in America: Two Centuries of Progress.” Notes 68, no. 4 (June 2012): 729–50. Drüner, Ulrich. “Ritter, Hermann.” In MGG Online , edited by Laurenz Lütteken, published November 2016. Field, Elizabeth I. “Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach’s Unaccompanied Violin Sonatas from 1802 to the Present.” DMA diss., Cornell University, 1999. Forbes, Watson. “Ritter, Hermann.” In Grove Music Online , edited by Deane Root, published January 20, 2001. Kamprad, Klaus-Jürgen. Friedrich Wilhelm Stade: Leben und Werk des Altenburger Kofkapellmeisters . Altenburg: E. Reinhold, 2022. Kenney, Sylvia W., ed. Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library . New York: Columbia University Press, 1960. Knobel, Bradley James. “Bach Cello Suites with Piano Accompaniment and Nineteenth-Century Bach Discovery: A Stemmatic Study of Sources.” DMA diss., Florida State University, 2006. Riley, Maurice W. The History of the Viola , vol. 1, revised ed. (Ann Arbor: Braun-Brumfield, 1993), 210–17 Ritter, Hermann, ed. Sonaten für die Altgeige (Viola Compositionen für Violoncello Solo. Mit Begleitung des Pianoforte herausgegeben von Dr. W. Stade . Leipzig: Gustav Heinze, [c. 1864]. Svećenski, Louis. Johann Sebastian Bach, Six Suites for Violoncello: Adapted, Revised and Fingered for Viola . New York: Schirmer, 1916. —————. Sonaten für Violoncello Solo. Mit Begleitung des Pianoforte herausgegeben von Dr. W. Stade J. S. Bach, Compositionen für Violoncello solo. Mit Begleitung des Piano herausgegeben von Dr. W. Stade . Leipzig: Gustav Heinze, [c. 1871]. Tatton, Thomas. “Bach Violoncello Suites Arranged for Viola: Available Editions Annotated.” Journal of the American Viola Society 27 (Summer 2011): 5–27. Zeyringer, Franz. Literature für Viola , 2 nd ed. Hartberg: Schönwetter, 1976. alta) allein von Joh. Seb. Bach. (Suite 1–4) nach den Sonaten für Violoncello allein, übertragen von Hermann Ritter (Leipzig, Merseburger, [c. 1885]). Stade, Friedrich Wilhelm, ed. Joh. Seb. Bachs

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