JAVS Fall 2024

23 Saariaho, “Timbre and Harmony.” 24 Féron, “The Emergence of Spectra.” 25 Saariaho, “Timbre and Harmony;” Féron, “The Emergence of Spectra;” and Murail, “Spectra and Sprites.” 26 Murail, “Spectra and Sprites.” Bibliography Anderson, Julian and Tristan Murail. “Julian Anderson Introduces the Music and Ideas of Tristan Murail.” The Musical Times 134, no. 1804 (June 1993): 321-323. Féron, François-Xavier. “The Emergence of Spectra in Gérard Grisey’s Compositional Process: From Dérives (1973-74) to Les espaces acoustiques (1974-85).” Contemporary Music Review 30, no. 5 (2011): 343-375. Fineberg, Joshua. “Guide to the Basic Concepts and Techniques of Spectral Music.” Contemporary Music Review 19, no. 2 (2000): 81-113. Fineberg, Joshua. “Spectral Music.” Contemporary Music Review 19, no. 2 (2000): 1-5.

Grisey, Gérard. “Did You Say Spectral?” Contemporary Music Review 19 no. 3 (2000): 1-3. Murail, Tristan. “Spectra and Sprites.” Trans. by Tod Machover. Contemporary Music Review 24 no. 2/3 (April/June 2005): 137-147. Murail, Tristan. “The Revolution of Complex Sounds,” Contemporary Music Review 24, no. 2/3 (April/ June 2005): 121-135. Saariaho, Kaija. “Timbre and Harmony: Interpolations of Timbral Structures.” Contemporary Music Review 2, no. 1 (1987): 93-133. Smalley, Denis. “Spectromorphology: Explaining Sound-Shapes.” Organised Sound 2, no. 2 (August 1997): 107-126. Smith, Ronald Bruce and Tristan Murail. “An Interview with Tristan Murail.” Computer Music Journal 24, no. 1 (Spring 2000): 11-19. Tristain Murail. “C’est un jardin secret, ma soeur, ma fiancée, une fontaine close, une source scellée...” Works. https://www.tristanmurail.com/ en/oeuvre-fiche.php?cotage=TR1425.

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Journal of the American Viola Society / Vol. 40, No. 2, Fall 2024